Edinburgh has a great many Egyptian or Egyptian-esque bellydance teachers; next weekend we will be treated to something a bit different, a bit special… Artemis Mourat, a world expert on Turkish bellydance, is coming to town.  She’ll be teaching three workshops, and there’ll be a hafla – see the flier below for more details, and also see the events on Facebook.

You may have read Tamsyn’s blog post (that had a lot of input from Artemis) about  Turkish and Egyptian dance – if not I recommend it.  I also recommend having a look at the clips below – they’re both of Artemis dancing, the first is from her DVD, the 2nd is a recent performance from Tribal Fest (and watch right to the end – she finishes with something very impressive!)

 

 

I do a spot of graphic design, from time to time.  Here’s my latest, a promotional poster for the Leith Festival Hafla:

 

I’m gutted I can’t be there (an inescapable, long-standing commitment…) but I hope that YOU can all be there, and that you take lots of pictures and video clips so I can enjoy it afterwards!

As I mentioned earlier, we were spoilt for choice on International Bellydance Day.  Habiba Dance went to the hafla in Glasgow and has a few, lovely pictures of some of the performers, as well as a video of her own performance up on her blog.  I went to the Leith hafla (which raised £100 for Shakti) camera in hand, and was thoroughly entertained. Despite the event being cut short Martina managed to squeeze all the performers in.

And beyond? Well next month we have two haflas to look forward to in Edinburgh/East Lothian:

A Bit of Cairo on Duke Street: Leith Bellydancers Hafla on Tuesday 14 June, 7.30pm-10.30pm, at  The Parlour Bar, Duke Street, Leith.  This is running as part of the Leith Festival and has… free entry!  

- The annual Musselburgh Hafla on Thursday 30 June, 7.30pm – 11pm, at the Musselburgh Rugby Club, Stoneyhill Farm Road, Musselburgh.  Tickets for this will be £5 with the proceeds going to charity.

Elspeth SwishandHips is organising both events – if you’d like to perform do get in touch with her: swishandhips at hotmail.co.uk

Now I did say I had brought my camera to the Leith International Bellydance Day hafla… Here are just a few pictures from the night to give you a taste.

Below is the lovely Constantina (who we won’t have here for much longer – we found out at the hafla that she’ll be moving back to Greece shortly!)

The elegant and polished Natalie!

And the hhhhorrible Elspeth - topping off the show with a Sha’abi piece:

This Saturday, May 14th, is the 5th annual World Bellydance Day, an event conceived of by Lydia Tzigane in 2007. It encourages charitable events worldwide, on the 2nd Saturday in May, that act as a reminder that belly dance can be a family-friendly* art form.

In Central Scotland we have two charity haflas on that date – one in Leith in part support of Shakti Women’s Aid (organised by Martina) and one in Glasgow in support of the Marine Conservation Society (organised by Sarasvati Tribal).

The Leith event is from 19:30 – 23:00 at South Leith Parish Church Halls (6 Henderson Street, Edinburgh, Scotland, EH6 6BS). The theme is International with performers

encouraged to represent a country with music, colours and costuming. There may even be a live band and stalls.

To purchase tickets in advance send cheques to Martina Kyriazi at 79 Hawk Brae Livingston EH54 6GF, £10 for non-dancers and £5 for dancers. Ticket price includes some nibbles and soft drinks and a BYOB charge. The facebook event can be found at: http://www.facebook.com/event.php?eid=192060964164082

The Glasgow event is from 7.30pm at La Bodega, Dance With Attitude (1120 South Street, Glasgow G14 0AP). The theme is Marine with all styles are welcome and encouraged. There will be a prize raffle (proceeds to MCS).

To purchase tickets in advance you can pay using Paypal or cheques – more info at http://www.sarasvatitribal.co.uk/mcs.htm (tickets cost £7 and all profits will be going to help MCS continue their work protecting our seas, shores and wildlife). The facebook event can be found at http://www.facebook.com/event.php?eid=202545746441029

There’s been a bit of disappointment about these events clashing, particularly because they both look fantastic. To help prevent this sort of thing happening in future I’ve created a Bellydance Scotland public Google Calendar to track bellydance events (but not classes) – I don’t plan to keep this updated all by myself; I think it would work better as a communal activity (and I don’t have the time to do it all myself). To that end I’m looking for anyone who wants to contribute to this by adding your events or events in your area to get in touch with me so I can add you as editors of this Calendar. I’d also encourage you all to look at, and use, the Bellydance Scotland Facebook Group.

So, whatever you choose to do this Saturday I hope you have a good World Bellydance Day – in Central Scotland, at least, you’re spoiled for choice!

(* I feel a blog post brewing about this issue…)

I’ve taken time out from the bellydance world, more or less, since New Years.   It’s given me some time and space to think about my experiences both as a professional performer and teacher, but also as a member of a diverse and vibrant community.

In March last year I had a very unpleasant interaction both with a friend in the community (someone I had met when we were both studying bellydance) and her partner.  The partner contacted me by text, phone and facebook to insult, shout and swear at me while accusing me of plagiarism.  He threatened me and threatened to hack my website and “permanently destroy it” (as if you could do such a thing).  The friend was unaware of his actions, but didn’t speak up to distance herself from them, instead she publicly defended and supported his accusation.  (She and I have since met, before Christmas, and are now back on speaking terms).

In becoming a professional bellydancer I never expected to be threatened or called a cockroach.  Perhaps that was naive of me.  I never expected to have a friendship ruined either, and perhaps that was naive too, for when we are both working in the same field there is the very real possibility of having to compete for work and it takes a special kind of relationship to survive that kind of pressure.

Around ten months ago I was blamed, behind my back, as being one of a number of local teachers who did not support a charitable bellydance event that was cancelled due to lack of early bookings.  I both blogged about it and handed fliers for it out to my students.  But, I believe, in making clear what portion of the event fees were going to charity I was perceived as not supporting the event (and the event organisers removed me as a ‘friend’ on Facebook).

My relationships matter to me.  People matter to me.  It’s been a pretty big deal to have had a friendship destroyed.  And being bad-mouthed isn’t that great either.

But on the up-side I’ve also made friends with people I’ve met in the community both in the UK and the USA.  These are people I am proud to call friends and to spend time with.

So this ‘scene’ seems quite dichotomous to me.  On the one hand there are groups and places where we have communities and sometimes even communes, mainly of women, learning to use and enjoy their bodies. Competitive behaviour, where it exists, is usually channeled into self-improvement in these spaces.  The ‘business’ side of the scene takes a back-seat to the community aspects.

On the other hand there is the part of the scene that is dominated by the struggle to make money.  Competitive behaviour is usually channeled away from self and towards others (though sometimes this is masked, I suspect due to how ‘unladylike’ and ‘improper’ competition is typically considered for women).  I’ve found most of the diva-like attitudes and behaviour I’ve encountered are in this part of the scene.

And I get it – it’s incredibly difficult to make a career out of being a bellydancer. In general the supply of performers and teachers far exceeds the demand.  There’s not much of a career progression either.  There is a huge gap between the local teacher and performer and those who are able to make their living at it like Jillina or Suhaila.

‘Getting it’ doesn’t mean I’m okay with it.  I’ve been burned twice by this part of the scene and on reflection that’s two times too many.

Those of you who know me, or have read other posts of mine, will know I have a strong interest in the processes involved in learning (and teaching).  I stumbled across a quote today, in the book ‘Musicophilia’ by Oliver Sacks that confirmed something I have long believed to be true.  Let me share it with you:

“mental simulation of movements activates some of the same central neural structures required for the performance of the actual movements. In so doing, mental practice alone seems to be sufficient to promote the modulation of neural circuits involved in the early stages of motor skill learning. This modulation not only results in marked improvement in performance, but also seems to place the subjects at an advantage for further skill learning with minimal physical practice.  The combination of mental and physical practice leads to greater performance improvement than does physical practice alone…” (from The Brain That Plays Music and Is Changed by It by Alvaro Pascual-Leone).

Quite a number of years ago someone told me about athletes using visualisation in addition to physical training to help them improve their performance.  At the time my first thought was that it was a bunch of new-age hokum but I filed it away for further consideration anyway as I try to keep an open mind.  Time passed and I came back to it and eventually found it a useful tool personally – but always wondered if I was fooling myself – that because I’d been told it would work I believed that it did.  More time passed and I began performing bellydance.  Lacking the time in my life to physically practice as much as I wanted to I would, and do, go rehearse choreographies mentally as I listened to the music on my way to work, or University or what-not.  I found it extremely useful – far more beneficial than not doing this ‘mental rehearsing’ – and now happily incorporate it into my rehearsing plans.

It was gratifying to see that the field of behavioural neurology has confirmed, scientifically, what I have experienced personally.  I also thought it’d be worth sharing, particularly the lines “mental practice alone seems to be sufficient to promote the modulation of neural circuits involved in the early stages of motor skill learning. This modulation not only results in marked improvement in performance, but also seems to place the subjects at an advantage for further skill learning with minimal physical practice” - if you’re just learning bellydance, or teaching beginners bellydance this would seem a particularly useful point to remember and share.

There is an advantage to living, breathing and thinking about bellydance; it helps you learn it even faster!

The weekend before last saw me down in Brighton with my friend Tamsyn, studying under the very talented Olivia Kissel (pictured below)of Zafira Dance Company (my love of whom I have declared previously…). Tamsyn has blogged beautifully about the workshops already, so I shan’t say much except to say that Olivia had me, right from the very start of the first workshop, when she talked about dancing with soul.

The dancers I enjoy the most are the ones that evoke an emotional reaction in me, that touch me somehow. I believe that I feel touched because the performer is in touch with their emotional core and that is what’s being communicated to me through movement; that my reaction is an empathic one, empathic in the same way that I can shed a tear when witnessing another’s tears even though I myself am fine. What I aim for when planning a performance is that my dancing can communicate what I wish it to, that it can communicate from my heart, that it be soulful. Studying under another performer who thinks likewise, who spoke about it, encouraged us to speak about it and incorporated it into her teaching was incredibly inspiring. Thank you Olivia.

The below dances both move and inspire me, I hope you enjoy them too.

[An aside: of course it's not enough for the dancer to simply feel and 'emote', there must be technique behind and backing this up otherwise the communication of the emotion is stifled. Olivia used the term 'mumbling' when  referencing the communication divide where technique is lacking.]

I don’t know about you, but I’m really looking forward to the Shimmy by the Shore event this Sunday… and I’ve got some wonderful old school music to perform to that’s getting me excited! I love the spontaneity of Elspeth’s plans for this event – turn up with your music, and dance if you want to. Fantastic!

Stripped down, vintage and just a little bit silly, that’s my new and improved website!

To complement it I’ve now also created a companion Facebook page, “The Exotic and Soulful Shelley

 

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